Abstract
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World War I represents a turning point in the cemetery reform process that had taken off in Germany around 1900. The "Hain" or sacred grove had been the core feature of many civil cemeteries since the opening of the Waldfriedhof in Munich designed by Hans Grässel (1860-1939) in 1907 and it initially became the leitmotiv of most soldiers? graveyards. However, this approach was reinterpreted and transformed during the war to include the functionalist and typification ideas that would eventually transform the professional debate in the interwar years. This shift is explored through the military cemeteries designed by landscape architects Harry Maasz (1880-1946) and Leberecht Migge (1881-1935). | |
International
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Si |
JCR
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Si |
Title
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RIHA Journal_Journal of the International Associationn of Research Institutes in the History of Art |
ISBN
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2190-3328 |
Impact factor JCR
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Impact info
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Citado en las siguientes bases de datos: Arts & Humanities Citation Index, Scopus, ERIH plus - The European Reference Index for the Humanities and the Social Sciences Directory of Open Access Journals (DOAJ) |
Volume
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Journal number
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0152 |
From page
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1 |
To page
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10 |
Month
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JUNIO |
Ranking
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