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Descripción
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| The work of Junya Ishigami has been a frequent object of study in the context of close-to-nature architecture, an area of interest shared by the constellation of Japanese architects between the end of the 20th century and the beginning of the 21st. This article looks at the work of Ishigami with a specific focus on nature as a construction laboratory, in line with the dual purpose of pieces to be exhibited in galleries or to be formalized as architecture. This parallel approach allows us to discuss the functionality of strategies that focus on the material implementation of permanent mediums that, however, only reach their goal as a temporary art installation. The case study chosen is ?Extreme Nature: Landscape of Ambiguous Spaces?; the project designed by Ishigami for the Japanese Pavilion in the 11th Mostra Internazionale di Architettura at the Biennale di Venezia in 2008. | |
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Internacional
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Si |
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JCR del ISI
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No |
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Título de la revista
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Revista de Arquitectura |
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ISSN
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1138-5596 |
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Factor de impacto JCR
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Información de impacto
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Volumen
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2018 |
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DOI
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Número de revista
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Desde la página
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309 |
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Hasta la página
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313 |
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Mes
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SIN MES |
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Ranking
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